THE CAMINO PROJECT is SOLD OUT but may be ANNOUNCING EXTENSION soon to OCT 13! Stay tuned!
Get on a waitlist or become a MEMBER for GUARANTEED ADMISSION to ANY SHOW ANYTIME!
www.theatre-y.com Email [email protected] to get on a waitlist
Theatre Y Presents A Traveling Performance
in collaboration with NPR/WBEZ's WORLDVIEW Jerome McDonnell, Night Out In The Parks, and The Bureau of Transient Affairs
August 17-September 22, 2019 (Possible Extension to Oct. 13)
A Public Offering as Part of the *FREE THEATRE MOVEMENT*
Beginning August 17th, each Saturday and Sunday, from 3-9pm, the performance will begin and end at Ipsento 606 (1813 N Milwaukee Ave, Chicago). We will be in correspondence with attendees beforehand to understand their needs and fully prepare them for their travels.
Chicago—Theatre Y proudly announces their first mobile performance, The Camino Project. The Camino Project emerged from Theatre Y’s walk across Spain’s Camino de Santiago in 2017, a 500-mile pilgrimage route dating from the 9th century. During this trek from the French border to Finisterre (Latin for “the end of the world”), we attempted to find in the ancient practices of walking and hospitality new possibilities of social life rooted in the fragility, care, and tempo of the body. The Camino Project—a six-hour participatory experience—extends this investigation to Chicago audiences. Theatre Y has partnered with The Bureau of Transient Affairs and veteran European choreographers Dénes Döbrei and Heni Varga to create a performative travel guide that immerses attendees in a walk designed to prepare them for travels both physical and internal, real and imaginary, alone and in improvised community.
Combining a five-mile walk through Bucktown and Humboldt Park, a celebratory meal, and performative events that combine theater, dance, and performance art, The Camino Project is a thoroughly unique invention that challenges the confines of traditional spectatorship and asks audiences and performers alike to imagine how to be together beyond politics, beyond consumerism, and even beyond the theater itself.
Directed by Melissa Lorraine, conceived by dramaturg Evan Hill, and featuring the choreography of Dénes Döbrei and Heni Varga, the production team includes experimental sound artist and composer Kimberly Sutton, lighting designer Rachel Levy, set designer Henry Wilkinson, and costume designer Rebecca Hinsdale—nothing short of a dream team flanking the 20 member ensemble for what is easily Theatre Y's most ambitious project to date.
A play about pilgrimage in 2019 seems to be circling the issue of immigration and the refugee crisis. We've partnered with WBEZ - Worldview’s Jerome McDonnell and Nari Safavi who are sponsoring this project and will host 2 segments about this project. The first will be a Town Hall event where will will invite 20 Chicago refugee and migrant communities to convene with us around the project - to get to know them and to make space for their stories inside the work.
Döbrei and Varga—both Serbians of Hungarian descent—founded their company, Nyári Mozi, in 1985 in order to unite multiethnic Yugoslavian artists in the Vojvodina region (now part of Serbia), and it has remained focused on bringing different cultures together. Both Mr. Debrei and Ms. Varga are adept at Lecoq style of physical theater and Butoh dance. They have trained and worked with Min Tanaka and have been long time collaborators with internationally acclaimed artist Josef Nadj. They collaborated as choreographers with Theatre Y in 2013 on their first original work “The Binding”, and Lorraine has trained and performed with them in Europe on several occasions.
Döbrei and Varga walked a portion of the Camino with Theatre Y in 2017 and last summer the ensemble trained with them for one month to start laying down a physical vocabulary for this piece. They will return for the summer of 2019 to complete the work with experimental sound artist Kimberly Sutton (The Beautiful Days of Aranjuez), lighting designer Rachel Levy (Self-Accusation), set designer Henry Wilkinson (Self-Accusation) and costume designer Rebecca Hinsdale (Stories of the Body, Malaga, Self-Accusation) - nothing short of a dream team for what is easily Theatre Y's most ambitious project to date.
In 2018 Theatre Y transitioned into a Free Theater to insure that everyone is able to benefit from our programming. This is maintained through a membership model that is similar to NPR. Since 2018, every single Theatre Y offering has been open to the public for free to insist that Theatre isn't just another economic transaction but an opportunity to offer radical hospitality; a community experience created for meaningful face to face exchanges.